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George Martin Net Worth

How rich is George Martin?

George Martin Net Worth:
$400 Million

Birth date: January 3, 1926
Birth place: Highbury, London, United Kingdom
Height:6 ft 2 in (1.88 m)
Profession: Composer, Record producer, Harpsichordist, Musician, Film Score Composer, Music Arranger, Conductor, Audio Engineer
Nationality: United Kingdom
Spouse: Judy Lockhart Smith (m. 1966), Sheena Chisholm (m. 1948–1965)
Children: Giles Martin, Gregory Paul Martin, Alexis Martin, Lucy Martin
Source: Wikipedia & Freebase

George Martin wiki & biography:

Sir George Martin, an English record producer, has an estimated net worth of $410 million. As well as being a record producer, he can also be a musician, arranger, conductor, composer and audio engineer. He is among the popular record producers in the world, with several hit singles in both the UK and USA.

Sir George Martin was influenced by music styles of Jonny Dankworth and Cole Porter. He studied oboe and piano before working for BBC’s music department and after for EMI. He has also created novelty records and comedy jointly with Spike Miligan and Peter Seller. In his wide-ranging career, he has worked in film, television, music and live performances. George has also held several senior executives places in the media industry.

Sir George Martin has produced nearly all of the Beatles records albums, including How Do You get it done, Love Me Do and Please Please Me.

George began his profession by attending the Guildhall School of Music and Drama. He has since won many awards, including Academy, Grammy, BRIT awards and Knight Bachelor.
Sir George Henry Martin CBE (born 3 January 1926) is an English record producer, arranger, composer, conductor, audio engineer and musician. He is occasionally referred to as “the Fifth Beatle” in reference to his extensive involvement on all of the Beatles’ first records. He is considered one of the greatest record producers of all time, with 30 number one hit singles in the United Kingdom and 23 number one hits in the United States.

Influenced by means of a range of musical styles, encompassing Cole Porter and Johnny Dankworth, he attended the Guildhall School of Music and Drama from 1947 to 1950, studying piano and oboe. Following his graduation, he worked for the BBC’s classical music department, subsequently joined EMI in 1950. Martin created comedy and novelty records in the early 1950s, working with Peter Sellers and Spike Milligan, among others.

In a career spanning over six decades, Martin has worked in music, film, television and live performance. He’s also held a number of senior executive jobs at media companies and contributes to an extensive selection of charitable causes, including his work for the Prince’s Trust and the Caribbean island of Montserrat.

In acknowledgement of his services to the music industry and popular culture, he was made a Knight Bachelor in 1996.

The Beatles’ first recording session with Martin was on 4 September, when they recorded “How Do You Do It”, which Martin thought was a surefire hit even though Lennon and McCartney didn’t wish to release it, not being one of their own compositions. Martin was correct: Gerry & the Pacemakers’ variation, which Martin made, spent three weeks at No. 1 in April 1963 before being displaced by “From Me to You”. Starr was requested to play tambourine and maracas, and although he honored, he was undoubtedly “not pleased”. Due to an EMI library error, the 4 September variant with Starr playing drums was issued on the single; later, the tape was ruined and the 11 September recording with Andy White on drums was used for all following releases. Martin would later commend Starr’s drumming, calling him “likely … the finest rock drummer on the planet today”. “Love Me Do” peaked at number 17 in the British charts, thus on 26 November 1962 Martin recorded “Please Please Me”, which he simply did after Lennon and McCartney had practically begged him to record another of their original songs. Martin’s crucial contribution to the tune was to let them know to speed up what was initially a slow ballad. Following the recording Martin looked within the mixing desk and said, “Gentlemen, you have just made your first number one record”.[32][33] Martin directed Epstein to find a good publisher, as Ardmore & Beechwood had done nothing to encourage “Love Me Do”, enlightening Epstein of three publishers who, in Martin’s opinion, could be reasonable and frank, which led them to Dick James.

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